Four Letter Nerd

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The Four Shows (Plus One) that Made us Talk in 2016

2016 was a rough year. And I don’t think there’s any need to recall all we’ve endured the last 12 months.

But rough years like the one we’ve just experienced show the purpose entertainment can serve as a necessary distraction, getting us to talk about something else so we can take a short break from reality.

And I believe the four shows presented here did the best job of any getting us together to talk, theorize, and debate just how great these shows were and just what exactly was going on during the hour we just watched.

Keep in mind, these are not what I necessarily consider the four best shows of 2016 (though I do expect Emmy nominations for three of these). These are the shows that, in my opinion, generated the most buzz across social media and in our circles of friends.

So here are the four shows (plus one, which I will explain at the bottom) we talked about the most in 2016.

Stranger Things


At the start of the year, I previewed a number highly anticipated shows appearing on Netflix in 2016. “Stranger Things” and its 8 episode first season did not appear on that list.

But no show that Netflix put out this year got people talking like the 80’s science fiction series about a town dealing with the bizarre disappearance of a 10 year old boy.

Most refreshing to me about “Stranger Things” was its willingness to jump right into many of the show’s central mysteries while also finding a niche with audiences needing a break from the modern drama that celebrates complexity.

Or maybe it was just the brilliant use of 80’s nostalgia that got us talking about “Stranger Things” all summer. Regardless of the reason, “Stranger Things” is, in my opinion, Netflix’s biggest surprise hit to date.

This Is Us


The major broadcast networks finally found a foothold in the modern field of hit dramas dominated by cable and streaming services with “This Is Us,” NBC’s retrospective hit profiling the “then and now” of a unique American family.

But hiding behind what looks like another sappy network family drama is an amazingly written story with its own of set of Westworld worthy twists (just without all the 24-7 internet chatter predicting them all before they happen).

It’s also refreshing to see a family drama present problems from multiple perspectives that aren’t easily solved or dismissed. That is why I think “This Is Us” stands out despite being a family drama in an age where the majority of dramas we take in come on after the kids are in bed.



No show on this list had more hype to live up to than Westworld, HBO’s newest hit drama that debuted in October. The show about an adult theme park where the robots (or “hosts”) that humans interact with in the park are starting to develop thoughts and feelings of their own kept us guessing and theorizing until the end.

And with its superb cast and technical brilliance, “Westworld” surpassed all expectations, becoming the network’s most watched debut season ever.

With “Game of Thrones” nearing the end of its run, HBO needed a new signature drama to take its place. And Westworld appears to have provided just that.

Game of Thrones (Season 6)


After a subpar season 5, GoT returned with a vengeance in season 6. No, the narrative was not perfect. But what has captivated fans and grown the audience of Game of Thrones over the years has been the “punch in the gut” moments that bring fans together so we can process what the hell we just witnessed.

And season 6 brought two of the most jaw dropping moments in the history of the show with “Hold the Door” at midseason (take a moment and shed a few tears if you need to right here) and “King’s Landing Goes Green” in the finale.

Season 6 also set a record for character deaths as the show rapidly moved itself towards the end game. That “end game” part is bittersweet for sure, but it was good to see a show that often slept walk through its fifth season return to its proper form in season 6.

Plus One: Making a Murderer


Remember how in late 2015/early 2016 we were all experts in criminal law and proper investigative practices? Whatever you thought of it, “Making a Murderer” made us all talk about the American justice system and just how fair (or unfair) it is to some of the citizens subjected to it.

Technically, the ten episode venture into the murder trials of Steve Avery and Brendan Dassey came out in 2015. But it was all we wanted to talk about the first month of the year as we debated the evidence that put the two men on trial.

Honorable Mention and Final Thoughts

Considering I thought it was the best drama of 2016, I have to at least mention the second season of “Better Call Saul.” I hope I can include the tale of Walter White’s lawyer in Breaking Bad next season as its audience grows.

Also, I strongly recommend Speechless, a humorous look at a family with a child dealing with cerebral palsy. I know that description sounds horrible, but the show really is hilarious and somehow avoids being offensive.

What other shows had you and your friends talking this year? Let me know in the comments section.



Westworld Season 1, Episode 10: The Bicameral Mind

For a show like Westworld, with all its intrigue and mystery, its greatest enemy is its viewers. The fans who take in the show every Sunday night, then go online the next week and share all their theories about just what the hell is going on.

Because of the obsession we take as TV viewers when following the shows we love, we end up either predicting or reading what turn out to be correct predictions of the major reveals of the season we are watching.

And I don’t think it’s necessarily because fan bases are smarter than they used to be. It’s just, thanks to the world wide web, we talk way too much about favorite shows and are exposed to a significantly more opinions that we used to be. With all this time spent talking about it and all the different voices speaking to us about it, we’re bound to hit on something that turns out to be true.

I was one who took in many of these theories and, as a result, expected a number of the major reveals (Bernard=Arnold, William=The Man in Black, Dolores=Wyatt) to happen before they did. But Westworld still found a way to sneak its greatest reveal in with little to no discussion from its message boards (at least none that I came across).

It was Dr. Robert Ford the whole time that wanted chaos. It was Ford, finally taking the view of his partner, that wanted to give his creation the chance to escape. And now that at least one of these hosts has found her way out of “the maze,” we’ll see just what Ford’s final vision looks like when the chaotic end of Season 1 resolves itself (or gets even more messy) in Season 2.

As for this final recap of Season 1, too much happened for me to break it down by character like I usually do. Instead, I’m going to recap the entire episode as it happened, starting with Dolores, the girl all the boys want to find.

“There’s Something About Dolores”

I had no idea Westworld was really a reboot of the 90’s classic starring Ben Stiller and Cameron Diaz.

But as we start “The Bicameral Mind,” everyone’s pursuing the park’s oldest host. The Man is Black is with her, and he wants Dolores to take him to the center of that damn maze. William is on his way with an army of Lawrence and his men (and a tied up Logan, who thankfully, is an afterthought most of the finale). And don’t forget about Teddy. He jumps off that train, steals a horse, and rides out to find and rescue his forever programmed love.

Dolores, however, is pursuing another man: Arnold, her creator. Arnold’s voice leads her to a grave with her name on it. Buried in that grave is a kid’s tin can with “the maze” inside of it. It’s here that Dolores recalls talking with Arnold about that maze the MIB has been pursuing all season.

The Meaning of the Maze

So the maze is not a physical location in the park. It’s the minds of the hosts and the journey they take to achieve independence from their programming.

That creation of Arnold’s and what he discovered about it convinced Arnold the park could not open. But when Dr. Ford refused to comply, Arnold gave Dolores the task of killing all the hosts so the system could be reset.

All of this, of course, pisses off the MIB. He wants the physical location of the maze and the directions to find Wyatt. He doesn’t realize this is the maze (because “The maze is not for you”) and Wyatt is the woman he’s talking to right now.

The Man in Black begins beating Dolores. He’s frustrated Dolores and the other hosts can’t fight back. The park is a big lie and though he’s seen most all of it (because he is the majority owner of the place, as we learned in this conversation), he wants access to the one place that’s not a lie, where the hosts can fight back.


Dolores leading the MIB to the center of the maze.

“The Vote was Unanimous”

Meanwhile, Charlotte Hale thinks she’s gone check and mate on Dr. Ford. The board of Delos arrives at the park and votes to remove Dr. Ford from his post. Ford will announce his “retirement” after unveiling his new story line tonight. I’m sure that will go down without a hitch.

At the same time, Maeve is wrecking havoc throughout headquarters. She awakes Hector and Armistice to assist her freedom march. But before she can go, Maeve wants to find out whose been using Arnold’s login to make changes to her and the other hosts in the park without anybody’s knowledge.

“I Know a Guy Named William”

Now here’s the theory the internet figured out many weeks ago. Dolores has been going back and forth between now and her past for most of the show. The confusion, shared by Dolores and we the viewers, was used by the show to muddle her various visions and story lines together as one, making her think William was coming to save her while the Man in Black beats her.

The Man in Black begins to the tell the tale and many of us know what’s about to happen. He speaks of the William storyline we’ve been following all season as if it’s the past. He tells how William could never find Dolores, but he did make it to the outskirts of the park. It was on the outskirts that William sent Logan away naked, tied up to a horse. As if that weren’t enough embarrassment, William also informed Logan of his plans to inherit the company from Logan’s father. Oh, and just for good measure, William took the man’s black hat. Now, nobody in the history of television deserved this all around embarrassment more than Logan, but that’s a real punk job done by William on his brother in law.

William finally sees Dolores back in Sweetwater, but it’s another man who drops the can William picked up all those episodes ago as Dolores fails to remember him.

Dolores realizes that the Man in Black is, in fact, the William who loved and adored her so much. Now, I’m not sure what cued it, but something awoke inside Dolores as she takes the upper hand, pounding the MIB to the ground and holding a gun to his head. The unfeeling man begs her to shoot. But before she can, the MIB takes a knife and stabs her.

Just then, a horse rides up with Teddy, who fires bullets that weaken and take down the MIB. He scoops up Dolores and rides away with her just as the MIB begins to come to.

“He’s a Host?”

Back at headquarters, Maeve knows that the man she must talk to is Bernard (or Arnold as she now knows he is). Felix, shocked that Bernard is dead, but even more shocked that he’s a host, goes to work on him. When Bernard wakes up, Maeve asks to have all the memories of her daughter removed. But Bernard says he can’t. “And oh by the way, Madam,” says Bernard, “everything you’ve been doing to try and escape was programmed into you by someone else.” Maeve didn’t accept that last bit of information very well, so she marches on, deadly assassins and nerdy Felix close behind.

Teddy and Dolores’s “final words”

Teddy takes Dolores to that place he promised her at the start of the season and the hosts say their “final words.” But an audience has gathered on the beach and applauds the scene as Dolroes “dies” in Teddy’s arms.

Ford greets the crowd and says he’s ready to present his new narrative, called “Journey into Night.” But first, he has some things he needs to say to Dolores.

Maeve Complete Her Escape

Eventually, the security breach is discovered (Armistice basically beating the hell out of some poor surgeon and Hector waking up before a male surgeon could do unspeakable things to him) and a fire fight ensues to ensure Maeve finds her way out. Armistice’s arm gets caught in the door, so she tells the others to go on while she continues firing on the swat team. After reaching the elevator, Maeve keeps Hector from entering, saying she must go it alone now. But before she gets off that elevator, Felix hands her a note with information regarding the location of Maeve’s daughter in the park. She takes the note, but insists it will not effect her resolve. Looking all modern human like, Maeve enters a shuttle leaving the park that is departing in 15 minutes.

“Do you understand who you will need to become if you ever want to leave this place?”

Dr. Ford has a sit down with Dolores and gives the background to the final days of Arnold’s life. First, Dolores was created as a representative of Arnold’s son with similar talents and personality. But then, Arnold realized he gave someone the ability to suffer (thanks to the maze) who would never be able to escape it. So he merged Dolores with Wyatt, a villain character Ford and Arnold were working on, and programmed her to not only kill all the hosts (with Teddy’s help, of course) but to kill Arnold.

Now, I’m may have to watch the finale again (and the whole season for that matter) to really have a full understanding why Arnold saw no other way but death here. But I have to admit that, at first viewing, it seemed like a lot of steps were skipped to get to this point. But at least the moment was extremely well done by the actors and the music playing in the background (his son’s favorite song) as bodies of dead hosts surround Dolores and Arnold before she takes the fatal shot set a powerfully surreal scene. And throwing in those last words “These violent delights have violent ends” from Arnold provided one last bit of chill.


Teddy looking on not understanding what’s happening as Dolores prepares to shoot Arnold.

Dolores shot herself and Teddy as well. It was at this moment that the park nearly went under with Ford’s partner gone. But William/The Man In Black, thanks to his inspiring journey with Dolores, threw in the money to keep the park going.

We also learn that the gun that Dolores found at the start of the season was put their by Bernard under orders from Ford. So everything, all the robot rebellion and Maeve’s desire to escape, have been a part of Dr. Ford’s, not Arnold’s plan, all along.

So what is the end game of this plan for Dr. Ford? Well, telling Bernard this will be the last time they speak provides a major clue for that.

Journey Into Night

It’s time for the new (and final) narrative of Dr. Robert Ford. Ford’s words were mostly his usual cool sounding philosophical stuff that Anthony Hopkins is so good at delivering. But it’s what the other characters are experiencing that make this final scene work.

Dolores is still in the “old field lab” and appears to be talking to Bernard. But Bernard’s voice and appearance eventually turn into another Dolores. The end of the maze has been achieved for Dolores. She’s discovered that it’s her own thoughts she’s been listening to and she sees her gun sitting on a table in another room.

Maeve, for all her talk of rebelling and getting out of this world, hasn’t achieved Dolores status yet. Just before that train leaves, she walks off, determined to find her daughter (a thought that’s programmed into her, not an independent thought like Dolores’s was). But the power goes out at the terminal before she can get back into the park.

Sizemore, the man who was tasked with getting information onto a host and out of the park, discovers that all those retired hosts are no longer in that warehouse they’ve been stored in.

The Man in Black went off on his own to have a smoke when he sees Wyatt’s crew walking up, approaching the dinner.

Dolores joins the party in her blue dress holding her gun and walks up behind Teddy, informing him that this park is no longer about the humans, but it’s about us (the hosts) as she gets closer to the stage.

Ford tells everyone this will be his last story as Charlotte Hale looks on, satisfied, thinking her job is done. But then, just as Ford informs the guests in the park of his new story about a people who will decide what they are to become, Dolores shoots him in the back of the head.

After shooting Ford, Dolores starts firing at the crowd as everyone frantically runs away and the various hosts around (other than Teddy), start smiling.

The Man in Black feels a bullet hit his arm and he smiles, sensing his desire for a park where the hosts can fight back and everything’s not a lie, is about to become true.


Teddy’s chosen expression of the night whenever Dolores fired her gun.

Of Note:

-I like the nice, subtle connection where the maze turns out to be a toy Arnold’s son liked to play with.

-We also connected the photo Dolores’s father found in the first episode to William/The Man in Black. That photo was William’s fiancée. The photo flew away as William rode off to the outer edges of the park, symbolizing the feelings he had for her. I assume Ford had that placed into the ground as well.

-Did anybody else share the MIB’s disappointment when Ford informed that “this” was the center of the maze? I loved the symbolism the maze represented, but part of me really wanted some other physical world for characters to delve into in season 2.

-Armistice’s appreciation of assault weapons was well played and amazingly in character. I do wonder if that post credits scene where Armistice breaks off her arm to get free has any narrative purpose. Or was it just a fun way to end Armistice’s season.

-Where exactly do the Mongolians fit into Westworld next season?

-So the season ends with no resolution on where Elise Hughes or Stubbs ended up. Surely, with the way Westworld tied so many of its other details up in the finale, the show couldn’t just write these two characters out of the story without a resolution.

I have thoroughly enjoyed recapping this first season of Westworld. I look forward to picking up the recaps whenever season 2 begins. Also, be on the lookout for my other recaps when the new seasons of “Better Call Saul” and “Game of Thrones” begin in 2017.

Westworld Season 1, Episode 9: The Well Tempered Clavier

My suspicion since early on in Season 1 was that, if Westworld had a true villain, Dr. Robert Ford was that villain. These host we’re supposed to sympathize with because of all the trauma the’ve endured were created and controlled by Ford. So if they were going to rebel, who else could they rebel against?

But it wasn’t only the structure of the story that cast that light on Ford. There were also these not so subtle threats to people who’ve tried to get in his way (aka, Arnold, Teresa, and Bernard). And Ford has shown a complete control over the hosts that seems like it could squash a robot rebellion easily.

And maybe I should’ve written this two episodes ago when Ford ordered Teresa’s face pounded in by Bernard Lowe. But Charlotte Hale, the executive who put Teresa in that position, could be labeled a villain just as easily.

But as of now, Charlotte Hale has not directly killed anyone to meet her goal of removing Ford from the park. Even the Man in Black has yet to sacrifice a real human life. But Dr. Ford has been responsible for at least 2 (Arnold, Teresa, and possibly 3 depending on Elsie’s fate) human deaths so his park could operate without delay or hindrance.

Now is there anyone with the power to take down the ultimate super villain of Westworld? We’ll have to wait until at least next week to find out.

As for this week, let’s kick off the recap with how William and Dolores found their way out of Logan’s capture.


I really want to talk about Logan as little as possible. I mean, I guess he’s a necessary evil to compliment William in his journey of discovery. But even so, I don’t have to like his character because of it.

Logan insists the hosts are fake and feel nothing. But William thinks (correctly) that Dolores is different. To prove him wrong, Logan tears open Dolores’s skin so William can see the wiring.

Dolores does not appreciate that very much, slicing a blade across Logan’s face and running away. Later, Logan pleads with William to get over Dolores. Now I don’t think any of us were fooled by William’s proclamation that Logan was right. Of course, Douchebag McGee bought it, and that’s all that really matters.

Logan wakes up the next day bloody and on the ground. He pans around to see all the host soldiers laying on the ground. Turns out, William massacred them (how original, another scene of massacred hosts). Now, William’s in charge and Logan will be helping him find Dolores.

The Man in Black

Nothing has changed for the MIB since last week, other than Teddy joining him in being tied up around the fire.

Teddy’s been having a flashback most of the season where he helped Wyatt (the crazy villain Ford is centering his new story around) massacre a group of soldiers. But as it turns out, it wasn’t soldiers Teddy killed. And it doesn’t look like (at least from what was saw) that Wyatt had anything to do with it. It was all Teddy (who appears to be the town sheriff) blowing away civilians. Men, women, and children alike are all being massacred (that’s right, another scenes of massacred bodies).

The woman who stabbed and captured Teddy last week is also in the flashback. We don’t see if Teddy kills her in that scene, but she remembers and tells Teddy that one day, he may be ready to serve by Wyatt’s side “in the next life” before stabbing and killing Teddy.

After screaming “Oh my God, you killed Teddy,” the MIB starts rambling again about this maze. And just like every other episode, the MIB doesn’t appear to get any closer to it. The woman tells the MIB that the maze is not for him. And next thing we know, he wakes up with a wound on his head, alone in the daytime, with a rope tied around his neck. The other end of the rope is tied to his horse. Now, I didn’t think hosts could actually kill guests. But they sure as hell can tie you up and see if you can escape death yourself I guess.

The MIB cuts the rope in time before Charlotte Hale greets the MIB and gives us some more information about who he is. Now, of course, the information is vague (it wouldn’t be Westworld if the reveals were actually clear cut). But it sounds like the MIB is on this board we keep hearing about. She wants his approval to remove Ford from power. The MIB cares nothing at this point for Ford’s narratives. He’s all about Arnold’s game and the board can do whatever they want with Dr. Ford.

Bernard Lowe and Dolores Abernathy

The reset by Dr. Ford on Bernard last week lasted all of five minutes in this week’s episode. Maeve has been brought in after last week’s suspicious activity. Lowe begins the normal questioning routine, sees all the changes to her system, and asks whose responsible. But before he can contact Dr. Ford, Maeve does her little mind control act, instructing Lowe to release her back into Westworld with no questions asked.


Maeve’s conversation with Bernard proves to be fatal to his system.

Lowe’s conversation with Maeve sends him into a tailspin. He goes to Dr. Ford and wants access to all the memories his programming won’t allow him to see. And to make sure Dr. Ford complies, Lowe takes control of Clementine and has her hold a gun at Ford.

The first memories are nothing new. He’s at his son’s bedside, he’s talking to his wife over video chat, he’s in bed with Teresa, and he’s choking Elsie (once again, we don’t see if he actually killed her).

Eventually, the memories start to run parallel with Dolores, who’s returned to the scene of the church and is remembering more of the things that happened there.


Dolores remembers quite a bit of her past while walking through the church.

Dr. Ford explains to Bernard that three years were spent refining the hosts before any guests were allowed to access them. Arnold wanted the hosts to have a conscious, and that conscious would come from an inner dialogue Arnold programmed into them. The problem was the voice in their heads was driving the hosts crazy. While Ford is explaining this, Dolores enters the church and recalls the hosts all sitting in the sanctuary struggling with those voices.

Dolores enters confessional, which she discovers is an elevator that takes her down to a series of labs and offices, likely from the early days of the park. Gunslinger Dolores sees massacred bodies of hosts (yet a third example of this in one episode), but also recalls a less bloody hallway where hosts are interacting and being worked on by humans. A young Ford walks by and enters an office to start arguing with Arnold. Dolores walks past that and heads downstairs to see a room we are all very familiar with.

Despite all the warnings from Ford, Bernard wants to go all the way back to his first memory. And that first memory is him sitting up from an operating table. It’s this image that causes Bernard to discover that Ford created him in the image of his old partner, Arnold.


Dr. Robert Ford while he’s revealing memories to Bernard.

Now it’s really hard to describe how this realization came to Bernard. But Dolores makes sure the rest of us haven’t missed it when she sits down in her flashback and says “Arnold” when the man we know as Bernard Lowe sits down to talk with her. These two had numerous conversations early in the season, and it appears that those conversations were Arnold speaking with Dolores from the past.

But in this conversation, Arnold (Bernard as we’ve known him) tells Dolores he can’t help her. The reason he can’t: because Dolores killed him.

Dolores heads back up to the church and finds it empty. That is, until the Man in Black walks in.

As for Bernard, he plans on going all Maeve on Dr. Ford by ordering Clementine to shoot the man. But Ford put something in her programming that overrides everything Bernard has done. As it turns out, Ford could have stopped this the whole time. But he was interested to see just where all this would go. Instead, he orders Lowe to wait until Ford leaves the room to shoot himself. Lowe does just that, but not before Ford informs him and us that the new story he’s been working on is ready.

Of Note

-So if Ford can override the ability for hosts to control other hosts, does this make Maeve’s attempt at rebellion hopeless?

-We saw the picture Ford showed of him and Arnold earlier in the season. But this picture had three men in it: Dr. Ford, the guy we thought was Arnold, and Bernard Lowe (who we now know is Arnold). Who is the guy in the middle? Could it be the Man in Black?

-The Man in Black appears to be the prime candidate has the third man in the photo considering it was him who defended Ford many years ago in a previous attempt at removing him from his position. But the man in the picture also looks a lot like Ford’s father from the family he created in the park.

-The most recent human to be captured is Stubbs, who responded to Elsie’s signal reappearing in Westworld. He was captured by the Ghost Nation, another group of hosts that now ignore all verbal commands.

-It looks like Maeve has the first soldier in her army. Hector will be joining Maeve after she pointed out that the safe that drives his whole story is completely empty.

I’m going to say farewell right here, but I do have some theories I wanted to do discuss. All of it is pure speculation. But if you don’t even want speculation to ruin the season finale next week for you, then stop reading now and I’ll see you next week. Otherwise, read on underneath the image.


-The much discussed timeline theory (the idea that everything we are seeing is happening in multiple time periods), received some definitive proof tonight with the reveal that Bernard was built based on Arnold. We can most certainly assume that at least the scenes with Dolores talking to Bernard (who we now know was likely Arnold) were taking place about 35 years earlier.

-One part of the timeline theory (and what I consider to be the most significant part), was that William is a younger version of the Man in Black. But how can gunslinger Dolores see the Man in Black after leaving William, whose supposed to be a younger Man in Black? It’s not impossible, but it did just get way more convoluted.

-Now this theory is my own (though I’m sure I’m not the only one who’s thought of it): With Bernard dead of “suicide” (which I’m sure will have something to do with his dead lover Teresa), a host version of the likely dead Elsie Hughes will be promoted to Lowe’s position.

Westworld Season 1, Episode 8: Trace Decay

Remember when we used to fret over the lack of answers “Westworld” was giving us in those early episodes? Well now, our cup overflows with an overabundance of material that I’m struggling to truly process all of it. But I can center all of what we saw in “Trace Decay” around the one thing that’s supposed to separate humans from hosts: suffering.

Based on what Ford told us about the replica family he created to represent his own in the park, Dr. Robert Ford has a past he’d love to discard. And because of that, he believes he’s doing the hosts a favor by erasing all the pain and suffering they’ve endured. He tells Bernard Lowe, “You’re not missing anything at all” when the host questions him about his memories and all the “suffering” he won’t have to endure.

And when you consider how stoic and unfeeling “suffering” and the memories of difficult times in life have made Ford and the Man in Black, it makes sense why Westworld’s creator would want to spare his creation that fate.

But the robot rebellion taking hold of the park is fight to hold on to those memories. The hosts that are becoming enlightened are desperately trying to hold onto the memories of previous events they’ve endured despite Ford’s assurances that “You’re not missing anything.” They want their suffering to drive their emotions and actions instead of having everything programmed into them.

We’ll see in these final two episodes if the hosts can fully take hold of the memories and suffering they’ve had erased from their minds all this time, or if Dr. Ford can push through all the noise in the park’s system right now and get those memories erased once and for all.

Speaking of Dr. Ford, let’s start this recap with Westworld’s creator as he debriefs Bernard following last week’s tense conclusion.

Dr. Robert Ford and Bernard Lowe

Bernard Lowe has woken up from the whole “Ford told me to do it” stupor he was in and he is distraught. Being a host did not keep him from developing real feelings for Theresa. But don’t worry Bernard, because Ford plans on erasing all that messy stuff you just went through from your mind. And not only will Bernard be losing the memory of killing her, he’ll also be losing any memory that they ever had a sexual relationship.

While Lowe is going through the process of having those memories erased, he has several questions for Dr. Ford. Most interesting among those questions was asking Dr. Ford if he’d ever asked Bernard to kill anyone before. Of course, Ford says no (anybody out there actually belief Ford when he said that? Anybody?). But Bernard has a memory of a different female who he appears to have choked out and killed for Dr. Ford. A female that looks an awful lot like Elsie Hughes.


Bernard Lowe contemplating his existence as a host.

As for Theresa Cullen’s body, Lowe dumped it at the bottom of the cliff to make it look like an accidental death. He also erased any evidence that the two spent any time together on the day she died. Also found on her body were the devices she was using to collect information in the park.

Stubbs found the body and gives his “just the facts” report regarding what he found. But he’s completely unaware of the chess match that he has a front row seat for. Charlotte Hale, the executive director of the board overseeing Westworld, doesn’t believe for a second that Cullen’s death was an accident. She doesn’t say it outright, but her face and subtle statements make it clear she’s not buying the story. Hale’s skepticism doesn’t prevent Ford from making the next move in the chess match between these two, releasing everyone that worked for Cullen and taking control of her department so anyone else who might want him removed can be replaced. I’ll have more on Charlotte Hale’s next move in her and Ford’s chess match down in the “Of Note” section.

William and Dolores

Meanwhile, our favorite host/human romance continued their adventure west, where they find a group of men who’ve been ambushed by the “Ghost Nation.” When questioning one whose still alive, he reveals that Logan sent them (oh great, the return of Douche McDouchery is at hand).


Dolores and William continued their journey out West.

As William and Dolores continue their march, they finally come across the town she’s been seeing in her dreams. She imagines herself in the dress she wore the first half of the season. It’s the same scene Ford recalled when he discussed the park’s opening several episodes back. And many characters (Maeve, Armistice, the host who greeted William when he first entered the park, Lawrence’s daughter), are in this scene playing a different part.

Then, somebody starts shooting everyone. Dolores turns and sees all the bodies on the ground, except for hers. It appears Dolores killed all these hosts and now takes the gun, points it at her head, and pulls the trigger. Is this the malfunction headquarters said happened in the park 30 years ago?

Dolores wakes up from the dream/memory (?) and William thinks they need to get back to Sweetwater (good luck with that). But instead, before they can reach home, Logan rides up with a group of hosts (?) on horseback and takes the couple captive.


Our favorite rebel robot put her plane of escaping into action this week with the help of her personal human stooges. The plan involves more reprogramming (though I was confused why she didn’t just have this done last time she was in here) to tap into some purpose she just can’t reach that Arnold likely put there and building a robot army. But instead of reprogramming her, Sylvester means to take her to behavior to have her system wiped completely clean while she’s shut down.

Raise your hand if you though Sylvester’s plan would work. Anybody? Of course, it didn’t work. Felix fears Maeve way more than the bearded doofus, and Sylvester gets his throat cut for trying to get in Maeve’s way (that is, before having it painfully sowed back together later).

When Maeve returns to the park, she’s telling hosts what to do (so that’s how she’s going to build her army). Now, I really want to see Dr. Ford and Maeve battle it out as they instruct hosts to do their bidding. Of course, headquarters notices the havoc Maeve is causing and sends people out in the field to retrieve. We’ll have to wait until next week to see just how unsuccessful that mission turns out to be. Also, it turns out, this is not the first time she’s been nonresponsive to verbal commands. And her memories start to clear up for us, thanks to some major reveals from the Man In Black.

The Man in Black

The whole “hosts recalling things that were done to them” phenomenon sweeping throughout the park finally bites the Man in Black when Teddy remembers the MIB dragging Dolores into that barn.


Teddy and the Man In Black right before Teddy realized just who the MIB was.

Teddy and the MIB come across an ambushed party (I think ambushed parties of hosts/humans are going to be a real theme in the final episodes of season 1) with one survivor: a female host the MIB recognizes.

But one of Wyatt’s men comes out and attacks Teddy and the MIB (interesting how Teddy’s gun did nothing to slow the man down). The Man in Black is able to subdue and kill the big man/host, but not without jogging the memory of Teddy.

Teddy knocks out the MIB and ties him up around the campfire. And it’s this beating by Ted that finally gets us the backstory behind the mysterious Man in Black.

The MIB says he’s a “titan of industry, philanthroper, husband, and father” outside of Westworld. But everything changed when his wife killed herself because she couldn’t come to grips with the things he did inside the park. To cope, the MIB decided to do the worst possible thing he could to see if he was capable of feeling anything anymore. He created his own story (the one we are so familiar with now involving Maeve and her daughter).

The MIB busted into her house and stabbed Maeve. He then shot and killed Maeve’s little girl. Maeve is also recalling this scene in Sweetwater has the MIB recalls it. The MIB felt nothing after committing the heinous act. But to the MIB’s shock, Maeve fought back and showed emotion he did not think was possible in Westworld. The MIB wants to feel again and he’s been chasing the maze, the deeper game, Arnold’s game, ever since.

Just as Teddy can’t bring himself to kill the MIB, the woman they found stabs Teddy. Turns out, she’s a member of Wyatt’s crew and the rest approach, coming out from behind the trees.

Of Note

-I was really glad to get the MIB’s background, but our knowledge of what the maze is, how to get there, and what is waiting on you when you get there, remains elusive.

-Bernard Lowe was a creation of Ford’s so he could get deeper emotions out of the hosts.

-Another quirk to the hosts as revealed by Felix is their ability to, when they remember something, remember it in vivid detail instead of hazy like humans do. I’m sure the humans who’ve terrorized Westworld in the past would love to hear that.

-Maeve was brought into headquarters, where Ford erased her memory, answering the question of why she was given a new narrative a year ago.

-Theory speculation: Dolores and William found the aging church steeple that Ford started building his new edition to the park over back in episode 2. Did Ford want to build over that land because of the memories it stirred in Dolores? And if construction has plowed over that steeple in present day, when was this moment William and Dolores are experiencing?

-Also, if Dolores killed all the hosts and herself in one mad rampage, it makes sense why Ford said a few episodes back that he doesn’t consider her a friend at all.

-In response to Theresa’s death, Charlotte Hale went and found another disgruntled employee: Sizemore. The head of creative is now tasked with loading the park data Theresa collected and put it on a host (Dolores’s father from back in the first episode) and sneak that host out of the park.

-Two weeks without Elsie and only one mention coming from Stubbs, asking Bernard Lowe if he’d seen her. Lowe, who was very concerned about her missing last week, suddenly seems to believe the story that she’s taken an extended leave. Hmm…

Just two more episodes remain. I really hope we see a little less vague dialogue next week and a lot more plot movement towards the big reveals that have to be coming in the final two hours.

Westworld Season 1: Episode 7 Recap: Trompe L’Oeil

With three episodes left in the first season of Westworld, the battle lines have finally been drawn in the central conflict that seems to be driving everything we’ve seen so far.

In its first six episodes, Westworld focused on the plight of the hosts and the impending robot apocalypse. But the fight for control of Westworld (Dr. Ford vs the Board) was only hinted at in short, vague conversations.

But in Trompe L’Oeil, the conflict took center stage as Theresa Cullen became the first “blood sacrifice” in Dr. Ford’s battle to maintain control of the park from the board at Delos (the company who has some vested interest in the intelligence the park keeps in its hosts).

And did anybody else out there want to go back and watch all of the shows first six episodes after discovering that Bernard Lowe is a host? Congratulations to all of you who had Lowe in the “first human to be revealed as a host” pool.

The show really needed to raise its stakes in these last two weeks and it’s sure done that. Now we can settle in for these final three episodes and see whose running Westworld when season 1 is finished.

I’m going to start with a narrative that’s gotten more philosophical by the week. But at least their’s potential that the end game for William and Dolores in tonight’s episode could have us set for some big things (and some big potential theory confirmations) in the season’s final episodes.

William and Dolores

With Dr. Ford’s narrative giving us significant answers this week, someone had to take up the show’s need for repetitive pyscho babble.

Enter William and Dolores, who spent most of tonight’s episode on a train, making love, and revealing the things that drive them (again!!!!)


William and Dolores on a train doing what they do every place else they’ve been.

Now, I’m not saying the conversation was unimportant. Their dialogue established clearly that these are two people (well one guest and one host? two beings? two states of matter? not sure how to define this relationship) headed in opposite directions. William says that he used to read books because he always wanted to be in the story. Delores, whose been in a story her whole life, just wants out of that story and into reality. William also reveals that he’s discovered Westworld isn’t a place that caters to your lowest self. Instead, it reveals your deepest self. But seeing where William is taking that conversation, Delores tells the human “I’m not a key, I’m just me.” So while the pair finally had their inevitable sexual experience, I don’t see the end game for these two being a happy one.

The train they’re riding with Lawrence gets halted by rocks on the tracks. The Confederados come out and intend to shoot up everyone on the train. But the trio uses an explosion for a diversion. William and Delores escape both the Confederados and the Ghost Nation (an Indian tribe that paints themselves all white) before coming up to a deep, fertile valley. It’s the valley Delores has been painting regularly and seeing in her dreams. But Lawrence, before leaving the pair on their own, tells them no one that headed in that direction came back alive.

I believe there may be some confirmation for the “timeline theory” that’s been running all over the internet the past couple of weeks. If you’re not familiar with the timeline theory, I plan on digging into it with an article later in the week solely dedicated to that theory.


Among many of the recent changes to Maeve, one of them is that she doesn’t shut down when “surgeons” show up to remove hosts from the game. She’s in her parlor, as usual, listening to Clementine tell the story of the family farm she’s trying to fund by being a prostitute when the “surgeons” show up. Maeve thinks they’ve come for her. But it’s Clementine they take back to headquarters.


Maeve and Clementine having a conversation when the surgeons show up to take poor Clementine away.

In a scene right before Clementine’s removal, Charlotte Hill (the board member from headquarters we met last week) tells Theresa Cullen that the board wants to force Ford into retirement. But first, they must secure the data Westworld is run on so he can’t erase it all before being removed. This process must start with showing how dangerous Ford’s creation can be. And since it must be the least likely host to pose any danger, Clementine is the sacrificial lamb.


Charlotte Hale, the executive who set up the Clementine demonstration at headquarters.

A demonstration is put on for Ford and Lowe where a human (I’m assuming he’s one, at least) beats up Clementine. But when Clementine is reset, she remembers the human and takes revenge on him. Not only does Clementine beat up the human, she cannot be controlled by verbal commands.

This exercise is enough for Cullen to announce the firing of Bernard Lowe. Ford shows no emotion to any of this (not like he ever shows emotion, but as we know now, none of this really concerned him).

When Maeve is brought back in, she asks Felix what’s happened to Clementine. Felix takes her to see Sylvester “retiring” the host. Clementine will never reach her “dreams” of returning to her family’s farm. That’s enough to convince Maeve that she needs to escape. And her two surgeon stooges are either going to help her, or she’s going to kill them.

Bernard Lowe

I have so many questions and theories bouncing around in my mind regarding the host Bernard Lowe that I was tempted to almost discard the rest of this recap just to discuss them. I will hit a little on these in the “Of Note” section, but let’s recall how we got there first.

Lowe had just been fired when he asked to speak to Theresa Cullen personally. He knows the presentation was a setup and has something to show her.


Lowe and Cullen before he takes out to have her killed.

Just last week, we thought Lowe missed out on Cullen being the mole within headquarters because they were sleeping together. But it was the reverse that turned out to be true. Cullen’s trust in Lowe led to her demise.

Lowe takes her out to the house Ford’s replica family lives in. It was unclear why he would do this at first. But as him and Cullen are looking in the underground lab Ford uses for his personal creations, she finds a diagram with a picture of Bernard.

Ford reveals himself at just this moment. Now, Cullen can’t say she wasn’t warned. Ford told her weeks ago to stay out of his way. But with the board pulling her hard on the other side, she found herself there anyway. And now, she must serve as the “blood sacrifice” both Dr. Ford and Charlotte Hale said was coming in this week’s episode.

Cullen checks her phone and realizes she is offline and cannot call for help as Ford orders Lowe to kill her.

Of Note

-A couple of things to ponder now that we know Ford is a host:

  • Has Lowe always been a host? Or is he a creation based on a previous character in Ford’s life? Could Lowe represent Arnold?
  • Was the wife Lowe talked to on the computer weeks ago a human, another host, or a video of an actress playing the part of Lowe just there to maintain Lowe’s backstory?
  • How many other hosts does Ford have set up as humans running things at headquarters with modern backstories, like the one we saw at the start of the episode for Lowe.

-I expect more from Lee Sizemore, the head of creative at Westworld, now that Cullen’s out. They had a lot of conversations about changes at the top and I expect he will be very suspicious once she turns up missing or dead.

-Speaking of missing, being a host did not keep Lowe from wondering what happened to Elsie Hughes. Somehow, she’s listed in the computer as “taking leave” and cannot be detected anywhere in the park.

-Also in Ford’s secret host making lab was a design for Delores. So Ford created Delores? Or did he create a second Delores whose wondering around the park doing his bidding while the other one listens to Arnold?

-Hector was taken from questioning by Lowe for a “priority request.” Turns out, that “priority request” was being tied up to Charlotte Hale’s bed.

I asked too many questions in the “Of Note” section, so I won’t be asking anymore this week. Be on the lookout for my “timeline theory” piece later this week as we move ever closer to the conclusion of Westworld’s first season.



Westworld Season 1 Episode 6 Recap: The Adversary

“The Adversary,” the 6th episode of Westworld’s first season, was the most tense episode yet for HBO’s new drama. But while the tension was thick, the answers (well most of them anyway) we so desperately want stayed elusive at the hour’s conclusion.

Yes, we got tantalizingly close to finding out who’s been whispering to the hosts in the park. And I wouldn’t expect the show to reveal the solution to its biggest mystery with so much of the season yet to play out.

But the longer the answer to that central question is delayed, the greater the expectation will be for that answer to blow our minds.

So here’s hoping “Westworld” can deliver when all this heightened tension reaches its conclusion.

Let’s start this week’s recap with Maeve, who decided it was time to make some “changes” in her life.


Maeve’s journey of self-realization continued this week as her guide Felix pulled back the curtain on Westworld for the host. The first discovery Maeve makes is that she can say nothing that has not been programmed into her by a human. That bit of information was very important towards the end of the episode.

After getting the VIP tour of “upstairs,” from Felix, Maeve requests “changes” to her programming. She wants a little less loyalty (or a whole lot less actually) and pain, but a whole lot of wit and perception.


Felix making changes to Maeve’s programming.

But Felix’s buddy (well not really much of a buddy) Sylvester walks in and is ready to spill the beans on Felix’s unauthorized work. That is, until Maeve holds a knife to his throat with a little side of blackmail. Turns out, Sylvester pimps out the hosts at headquarters for lonely guys (like the one Hughes blackmailed last week).

So Maeve gets the changes she wants. But she’s not the only host we saw make a bit of a transformation this week.

The Man In Black

I liked how “The Adversary” had a unifying theme for most of its major story arcs. The only exception to this was the MIB and his continued march to find the maze with Teddy.

Their next stop is to find Wyatt, the new villain whom Teddy holds a significant grudge against. But what we discovered is Teddy was not so innocent when it came to Wyatt’s many slaughters throughout the countryside. He was right there with his commanding officer taking out any who would get in their way. And to think, we used to feel sorry for Teddy early in the season when he was dying every single episode.

A group of soldiers Teddy and the MIB run into have just been attacked by Wyatt and his crew. But one of them recognizes Teddy and means to tie him up and brand him. But Teddy breaks free, takes hold of an old timey machine gun and blows all the troops away.

The MIB ends the scene speaking for all of us when he says, “You think you know someone.”

Bernard Lowe and Elsie Hughes

Bernard, whose spent weeks with his head stuck somewhere covering up his ears anytime anybody suggested things are anything but hunky dorey in the park, finally wised up and started looking into the questionable behavior of the hosts. And what his investigation produced was some of the best acting Jeffrey Wright has provided the series so far.

With the help of super sleuth Elsie Hughes, Lowe begins investigating whose been stealing data from the park.

First, he heads “downstairs” (just how many dark and mysterious rooms does this park have?) because the hosts being used had to be original models (I won’t go into how he figured that out or new he had to go down there to find his answers because I’m not really sure. Let’s just say it was something sciency).


Bernard Lowe looking into unauthorized activity by hosts and its source.

But while down there, Lowe notices several hosts in the park that are not registered in the system. Lowe goes to check it out, only to find a family of hosts that only Dr. Ford can control. The little boy we’ve seen wondering around a couple of episodes is there with his family. And that little boy in none other than Ford as a child (anybody else out there besides me predict that earlier in the season?) The hosts representing Ford’s family were supposed to be a gift from Arnold. Lowe doesn’t like unmonitored hosts running around, but Ford insists they’re no danger.

Speaking of danger, Elsie Hughes took the information Lowe found earlier (once again, more sciensy stuff) and discovers a place in the park where someone’s been communicating with the hosts. She finds the computer in a dark room with lots of creepy props lying around. I’m sure there’s no danger here at all.

When super sleuth finds the computer, she discovers that two people have been using it to communicate with the hosts. The first is Theresa Cullen. She’s the one whose been sending data outside the park. She also happened to be spending this entire episode on her “Make Westworld Great Again” tour making preparations to remove Dr. Ford from his position. It also appears Lowe was blind to it because of the sexual relationship he shared with Cullen.

But Hughes found another set of communications on the computer. And those are the ones that have Elsie the most concerned.

Who in the Name of Arnold?

I loved the way three different groups in three different settings all came to the same conclusion at the same time in tonight’s episode.

First, there’s Elsie discovering that “Arnold” has been talking directly to the older hosts. The changes can cause these hosts to hurt guests and lie to humans.

And right on cue, we get our second realization coming from Dr. Ford after he finds little Ford’s dog is dead. The little Ford lies to Dr. Robert at first about the cause of death. Turns out, “Arnold” told the boy to kill the dog so it “couldn’t hurt anyone else.” Dr. Ford is very concerned about this, which means everyone else in the park should get out of there as fast as they can.


Dr. Ford and Little Ford looking at a host dog that’s been killed.

The third realization comes from Sylvester and Felix. When they are changing Maeve’s programming, they notice someone else has already been doing it.

Now, did anybody else out there scream at their television for Elsie to get out of that room? Of course, super sleuth stuck around too long and got herself snatched in her last scene of the night.

Of Note

-While robot revolution has been the direction of season one from the start, tonight’s episode made very clear that only another human can truly direct the carnage. This means that no matter what actions the hosts take, they are always going to be acting at the behest of someone else.

-Dr. Robert Ford seemed to recognize the maze on the table in the little Mexican village he visited with construction people as a design in one of the books in his office.

-Tonight’s worst first impression award goes to Tom Sizemore, the head of creative whose idea was 100% rejected by Ford several episodes back. Apparently, he’s been taking sick leave since then, drinking all day by a pool at the Westworld resort for guests when they are not out in the park.

But not only does Sizemore hit on a very important executive at the pool, he pees all over the park map at headquarters in front of that same executive, Charlotte Hale.

-It was interesting to watch the MIB take a back seat as Teddy directed the action in their scenes together this week.

-Apparently, Maeve’s previous story (where she’s a mom raising daughter out on the plains) is “just a tweak” from being the madam at a brothel. Really, that change was just a tweak?

-This is also the third straight week where the last line of the episode was uttered by Maeve: “Now boys, we’re ready for some fun aren’t we?”


-Who is playing the part of “Arnold” and what is their purpose in whispering to all the hosts?

-Who snatched Elsie and what will their identity reveal about the larger thing going on with the hosts in the park?

-Who does Bernard Lowe trust now that he doesn’t think he can trust Dr. Ford or Theresa Cullen?

-What does Charlotte Hale have planned for her visit to Westworld and how will it affect the future of the park?

Just four episodes left in the first season. I’ll see you here again next week.

Westworld Season 1, Episode 5: Contrapasso

Last night’s episode, “Contrapasso,” the episode marking the midway point of Westworld’s first season, was marred by a first half that continued the series tendency to force its way through symbolism over and over again. We get it. Dolores hear’s voices. Logan is a disgusting douche who seeks out violence against robots and sex with gold painted prostitutes in roman themed brothels. And everyone continues to speak in code about all these mysteries the show’s first season is centered around.

And there’s nothing wrong with mystery, symbolism, and repetition, especially in a show like Westworld. But at some point, all of it needs to pay off, and shows don’t need to expect us to wait until the last episode of the season to make everything work out.

Then, at some point in the last half of “Contrapasso,” the payoff arrived. The episode turned things up to a new level. All the voices and visions finally moved Dolores to action as her and William bailed on Logan. And Logan finally got his comeuppance as he’s left to be beaten by a couple of angry hosts. It was as if the episode woke up from a major acid trip and figured out what all the visions in that drugged stupor meant.

Being able to experience realization just as these various hosts and guests do is one of the strengths of the show. And though I struggled staying with the first half of the episode, it was that struggle that made the realization that in the second half so powerful.

Let’s kick off this recap with Dolores and William, who both set a new path for themselves in the game.

William and Dolores

Logan takes our favorite guest/host flirt fest to the most dangerous adventure in the park. It’s a Mexican town that centers itself around a criminal named Elatzo (not sure if that’s how you spell it, but as we know now, it doesn’t matter). And Elatzo has a mission for them. He wants William, Logan, and Dolores to steal nitroglycerin from Union soldiers to sell to the Confederados (former confederate soldiers). It’s on this mission that Dolores makes the much advertised wardrobe change from damsel to Annie Oakley, trading her long skirt for tight pants and the chance to use that gun she found several episodes back.

But Dolores is not the only one making discoveries. William is starting to notice how Dolores picks up on some of the real world conversations William and Logan are having. Phrases like “real world” shouldn’t register with her programming. But they’ve been starting deep conversations between her and William the last two episodes.


William and Dolores’s connection really blossomed this week, as the two shared a kiss before heading on an adventure of their own.

Of course, when William tries to explain this to Logan, he hears none of it. He’s too busy picking fights with hosts even after the nitroglycerin is secured.

One thing that is different about this part of the park is the threat the hosts pose to guests increases significantly. It’s like the expert level of Westworld and Logan was not ready for it. On two separate occasions, Logan was attacked by a host and unable to defend himself. The first time, William saved him by shooting the host as the host was choking Logan. No such help came the second time.

The long anticipated split between the two characters finally took place in Elatzo’s Roman themed brothel. The bizarre pagan imagery isn’t worth our time. But it was a great setting for William’s last straw with his “friend.” In an adventure where Logan as continued to push William in directions he does not want to go, William finally stood up and said no in the most vile place they’ve been so far. The two fight after William refuses to join a war with the Confederados while a weird glittery orgy takes place all around them.

While they fight, Dolores slips away and has the aha moment that’s been building all this season. First, she see’s a psychic who tells her to find the maze. The, she discovers Elatzo is a revolutionary (the ones fighting the Confederados) and means to betray them with the nitroglycerin he’s supposed to be selling to them.

Dolores runs to William and they make an immediate escape, leaving Logan behind as several hosts pummel him.

They hop on a train where Elatzo is waiting for them. Thankfully, we can call him Lawrence now (I thought I recognized him!!!) because I know how to spell that. A new, uneasy alliance surrounding a dead host filled with nitroglycerin is born.

Man in Black

Now, I’m not sure how Lawrence ended up dead in one location only to appear alive and well playing a totally different character in the next (or were they different?). All we know is the Man In Black bails on him tonight in favor of Teddy, who the MIB inspires with a story of Wyatt kidnapping Dolores.

A determined Teddy leads the MIB to a saloon, where none other than Westworld’s founder wants to have a conversation.

Dr. Robert Ford

Three highly informative conversations highlighted the evening for Westworld’s creator.

The first is with Wild Bill (the out of service host Ford wakes up when he needs to talk), and through the story of a greyhound Ford used to own, we infer that Ford is bored.

The second conversation is with Dolores. Now, once again, we don’t know if she’s been pulled from the park in the middle of her adventure with William or if this conversation has already happened.

We get our first hints that the voices Dolores hears are coming from the long deceased Arnold. Ford asks directly if Dolores has been speaking with Arnold. She says their last conversation was 34 years ago, the day Arnold died, and they discussed how Arnold wanted to use her to destroy the park. But after Ford leaves the room, Dolores tells someone, “He doesn’t know. I didn’t tell him anything.”

The third conversation was with the Man in Black. The chat these two have is a perfect example of what Westworld does so well: meaningful dialogue that moves things forward while keeping the deeper mysteries a secret.


The Man in Black sitting across the table from Dr. Robert Ford.

We learn that Wyatt, the guy added to Teddy’s and to several hosts’ backstories, is a new creation of Ford’s. The MIB wonders if Ford finally created a worthy adversary for the MIB. The MIB also knows Ford and Arnold from when the park first opened. But while the MIB had to be prevented by Teddy from striking Ford, the Westworld creator does nothing to prevent the MIB from continuing his journey to the maze. If I’m the MIB, that would concern me.


Remember the two surgeons Maeve attacked a few weeks ago? Well, they’re still repairing the bodies of hosts. And central office unlikely saw a report on that incident. But one of them, Felix, wants a promotion. He wants to program, not just repair.


Felix, the surgeon who Naeve attacked a few weeks ago and now intends to use to adjust her programming.

And he’s taken a bird from the park to practice when no one’s around. He gets the bird to fly only to find Maeve, whose body had been brought in earlier to work on, wakes up and catches the bird on her finger.

Maeve ends the episode for the second straight week, telling Felix, “It’s time you and I have a chat.”

Of Note

-Felix is the perfect human for Maeve to work with. He’s been learning how to program, so he’ll probably love the practice. And more importantly, he’s really spooked by Maeve, so he’ll likely do everything she asks.

-Logan mentioned that the company he works for could be looking to buy out Westworld because, has he described it, the park is “hemorrhaging money” right now.

-We also picked up the tidbit that William is an Executive Vice President at the company Logan works for. Now, Logan says that position is meaningless, but I don’t know if Logan is much of an authority on perception or reality.

-The Man in Black told Teddy he loved the hosts in their original form before all the human emotions were added to them. I wonder at what point we get to see a flashback detailing this original form the MIB is talking about.

-The same boy the MIB ran into was the one Ford spoke with in a previous episode. I’m wonder if Ford sent the boy to track the MIB’s movements.


The boy host Ford talked with a few episodes ago ran into the MIB this week. My money is still on this boy representing Ford as a child.

-“No I wouldn’t say friends, Dolores. I wouldn’t say that at all.” That was the revealing quote from Ford when he describe his thoughts on Dolores, but I’m sure that’s not worth remembering or anything.

-Elise Hughes screen time was limited once again. But whether you give the girl five minutes or half an episode, she’s going to make a major discovery. This week’s discovery was the satellite in the stray that tried to attack her two weeks ago. So someone’s been secretly collecting data in the park and linking it to the outside.


-Will Dolores and William be able to get away from Lawrence to seek out the maze? Or will Lawrence be journeying with them? And what happens if Dolores and William get to the maze the same time as the MIB and Teddy? Awkward would not begin to describe that encounter.

-How does Maeve intend for Felix to program her?

-What is the MIB’s relationship to the park’s history and how much of it does he have a direct involvement with?

-Does Ford know about Lowe’s chats with Dolores? If so, is he cool with it or does he just tolerate it?

-Whose collecting data about the park from the outside?

-When does Logan’s company intend on making their move to purchase the adult theme park?

-And is sex with sleeping hosts by surgeons a common problem in the labs of Westworld?

We’re halfway done with this first season. I imagine things are about to turn up to another level starting next week. I’ll see you then.

Westworld Season 1, Episode 4 Recap: Dissonance Theory

“There’s either something wrong with this world, or their’s something wrong with me.”

That was the dilemma proposed by Dolores in the opening scene of tonight’s episode, yet another episode beginning with a conversation between her and Bernard Lowe. And what Dolores says here is in line with what I’ve been thinking through most of the four episodes.

There is something wrong when there’s a place where people can go on “vacation” and pretend to kill and rape. Yes, they are only killing robots. But there’s still something pretty demented about it.

But the question is where does the fault lie? Is it in the guests who seek out the adventure or the adult amusement park that provided them the opportunity to live their fantasies out?

And what of how this dilemma shapes itself for the hosts? Everything about a host, from the backstory, reactions, and emotion, is supposed to be programmed in them. Even they realize that, which is why so many are freaking out now that memories are appearing that they’re not familiar with. They know something’s wrong. And now that every host seems to be coming down with this “glitch,” they’re all going to have make that decision. Is there something wrong with me, or does the problem lie with Westworld?

Two hosts responded to this dilemma in “Disonance Theory.” We’ll start this recap with one of those, Dolores “I wanna be free” Abernathy, who found herself on an off script adventure.


Dolores wakes up where we left her at the end of last episode. And now “White Hat William” wants to be the good guy and take her back to safety. But “Black Hat Logan” (nice use of obvious symbolism there WestWorld) refuses, insisting on finishing this man hunt William has dragged them on.

The host they are searching for is named Slim. And finding Slim takes them into the Mexican village where the Man In Black was two weeks ago. Dolores begins to see a vision of a church when she talks with Lawrence’s daughter. She also notices the maze on the ground drawn by the girl.

Dolores has a second vision of a surgeon working on her while staring at the moon. Both of these moments are interrupted by William, who is completely unaware of the amount of self-realization he’s helping Dolores experience.


William and Dolores having one of their many encounters in “Dissonance Theory.”

William and Logan find Slim and take out his crew before apprehending the “wanted man” to get their “reward money.” But Logan has ulterior motives. He kills the guide whom took them out there because he wants Slim to lead them to “the most fun ride in the park:” Slim’s boss.

William and Logan argue over “the game,” once again furthering Dolores’s confusion about it all. Now, I guarantee you, when Dolores finally snaps, William and Logan are going to be all “What’s with her?” Typical men: driving a woman crazy, then acting like they had nothing to do with it.

Ford and Cullen

One man whose not clueless about the women in the park (or anybody in the park for that matter) in a rather creepy big brother like way is Dr. Robert Ford. And if you didn’t get chills listening to this man describe himself as a god as he moved a large number of hosts with his mind, then I never want to meet you.

Cullen has a meeting scheduled with Ford to discuss park business. The business involves this new addition to the park Ford is building. He’s using hosts to build it (talk about saving money on labor costs), but those hosts are being pulled from park story lines, disrupting business.

But Ford assures Cullen the addition will be ready on time and will be wonderful. Though he does say it will not be traditional western like the rest of the park.

The more concerning moment for Cullen is when Ford sits her down in the chair she sat in at this restaurant when she was a little girl and visited the park. It gets worse when he informs her he knows she’s sleeping with Lowe and that he knows everything about his guests and his employees. But neither one of those were as scary as when he tells Cullen, “Don’t get in my way.” That sounded more promise than threat from the man that seems to grow more in control in Westworld with each passing week.

The Man In Black

“Dissonance Theory” was the best and most informative episode so far in regards to the MIB’s story line. Two week’s ago, Lawrence’s (the host the MIB is holding hostage) daughter informed the MIB that “the maze” began “where the snake lays its eggs.” This week, we found out who the snake was.

Armistice!!! There’s been an unfortunate lack of the sharpshooting female host who runs around in Hector’s gang the last two episodes. And the snake is a tattoo that wraps around her whole body (more on its awesome backstory later!!!)

The MIB thinks the story of that tattoo is the key to finding the start of the maze. And Armistice will tell him if he does one thing: breaks Hector out of prison.


The Man in Black with Lawrence in the background figuring out the next step in finding the maze.

Not a lot of intrigue here. Of course, the MIB is going to succeed getting Hector out, though Hector’s marksmanship is impressive.

After returning Hector, Armistice tells the story of the snake, and it’s spectacular!!!! Her mom was killed when Armistice was 7 years old. As she got revenge on the men responsible, she used their blood to paint her snake red (I know it’s just backstory programmed into the host, but it is still just awesome). The only part left unpainted is the head of the snake, which will be painted with the blood of the head of the party that killed Armistice’s mother: Wyatt (the go to backstory for all hosts will violent childhoods). And that’s the host the MIB is going to see next.


The other host who had a revelation this week is Maeve, the brothel madam whose been dealing with flashbacks for the last two weeks. This week’s primary flashback involves a guest killing all the hosts in the brothel, including Maeve.


Maeve looking at Clementine’s face, seeing blood in it as she recalls a massacre at the saloon.

The madam’s been feeling at her stomach for weeks now, and this week is her moment of realization.

Hector and his crew perform the usual scene where they make it to town and have their usual shootout. But this time, when Maeve puts the gun to Hector’s head, she takes him upstairs to ask Hector a question. She wants to know the meaning of a statue the natives carry around (more on that later) and wants the outlaw to stab her. Hector is hesitant at first, but eventually comes through and finds a bullet in that spot Maeve’s been feeling at all these weeks.

Finding that bullet is going to be a dangerous revelation for humans in the park. Now, Maeve and Hector realize they can’t die. Or, as Maeve puts it, “none of this matters.”

Of Note

-It can’t be coincidence that somebody built a statue for Natives to worship that looks exactly like the surgeons that work on the hosts.

-Two very juicy bits of info on the Man in Black this week:

  1. In his real life, the MIB runs some charitable foundation, as revealed by the guests who recognizes him and says “Thanks for helping my sister.”
  2. He knew Arnold (or at least knew of him) and suspects Arnold programmed a deeper adventure into the game.

-The MIB also found poor Teddy tonight, whom was left for dead by Wyatt’s crew last week.

-Also, we learned guests have to request pyrotechnic effects in order to use them in the park.

-Our favorite chicken little, Elsie Hughes, continues to have all her warnings ignored by Bernard Low. The only question is why.

-Anybody else not trust Dr. Robert Ford? I have a suspicion (and I’m sure I’m not alone), that Ford has a major (and not an accidental) hand in all these hosts dysfunctioning in the park.

– I really loved how the final scene had a group of law men sent by headquarters come to clear out the streets because a human family was approaching, but Maeve and Hector show zero concern knowing they will survive it no matter what.

-We also learned last night that Lowe is aware of the maze’s existence and even recommends it to Dolores. Does he desire for Dolores to be free?

-We also learned that Logan has some sort of “business interest” in the park.

-Dolores made clear tonight she is now aware of her father’s death, mentioning it to Lowe and saying it when she was arguing with the Sheriff headquarters sent to try and get her back to her storyline.


-How will Maeve’s behavior change now that she knows “none of this matters?”

-What programming gives Hector all his answers?

-At what point will the MIB receive a real challenge?

-Are we going to meet Wyatt next week, or are we going to have to wait until the end of the season for that?

-Are Logan, William, and Dolores going to meet with the MIB on their respective journeys?

-How does Dr. Ford get all the info he gets on his guests and his employees?

It looks like we’ve got a meeting next week between Dr. Ford and the MIB. Anthony Hopkins and Ed Harris in the same scene? Hell yes!!!! See you next week.

Westworld Season 1, Episode 2 Recap: Chestnut

There are two things I love about the first two episodes of Westworld. Not to say they’re the only two things, but they’re primary strengths that stand out to make HBO’s new hit drama such a high quality program so far.

The first is the seamless introduction of so many different characters. I’m not sure how, in just two hours of television, I know so much about the history of all these “hosts,” the motivations of their creators, and the driving force behind why their guests seek what they’re seeking in Westworld. There are at least 11 characters with whom we’ve been introduced to that we know better than any two hours of television should’ve been able to accomplish.

The second is the way the show has introduced us to its world through the three distinct perspectives (hosts, creators, guests) with which the park can be viewed. Though there is plenty we haven’t seen from this place, there’s already so much we know that two episodes should not be able to convey to us.

The strength of the foundation set by the creators of Westworld rivals any show in broadcast history. Now let’s hope they build off that foundation just as effectively as they’ve built it.

As for this week’s episode, let’s start the recap with that third perspective we didn’t get to see last week: a guest arriving in Westworld for the first time.

William and the New Guest Experience

William is a first timer who represents the way most normal people would be when approaching Westworld. His buddy Logan, the man bringing him to the park, is a veteran who’d be a serial animal rapist if he didn’t get his kicks in Westworld (thank you Westworld for the service you provide).

Through the eyes of William, we see the experience guests have arriving in Westworld. A bullet train delivers them to a hosts who walks you through wardrobe and offers herself to you sexually. From there, guests enter the old west train we saw last week bringing guests into the park.

William keeps that same bewildered look the whole time as Logan walks him through the sites of the park. Logan points out to William (and to us for that matter) that every host is trying to pull you into an adventure, including that old man who falls in the mud that William helps up. That old man wants to pull William into a treasure hunt, a proposal he makes will the two friends are having dinner.


William (left) and Logan (right) walking through the streets of Westworld.


Now, when a host is stabbed violently in the hand by an unhinged guest, do you blame the host, the guest, or the people who put both the story in the host and the knife in the hand of the guest? Deep thoughts to ponder, people.

Logan stabs the host in the hand because Logan a horrible person. Instead, he opts for the orgy story line with two girls and a guy (wonder if that was written into any of the intended scripts), while William just can’t bring himself to sleep with Clementine. William has somebody at home. And he just doesn’t think having sex with a robot is staying faithful.

But while William may try to stay faithful, he did have quite an eye for Dolores when she dropped that can all the guys love to pick up. We’ll have to keep an eye on those two in the coming weeks.

The Man in Black

On the opposite side of the spectrum from William is the Man in Black. The man whose been coming to Westworld for 30 years continued his quest seeking the “deeper levels of the game” by finding a host named Lawrence. Lawrence was about to be hanged before the MIB came to “save” him. Now is it really saving a host to replace death with constant torture? I mean, the host dies most everyday anyway doesn’t he? But instead of death, he gets dragged behind the MIB’s horse back to the Mexican town where Lawrence is from.

The MIB needs information and he’s going to do whatever he needs to do to get it. He shoots his way through all of Lawrence’s cousins. He then kills Lawrence’s wife and is about to kill Lawrence’s daughter before the girl steps up and provides the information the MIB needs.

Now, I go back and forth on whether the MIB is a really slick bad guy, or just a bully taking advantage of hosts who can’t hurt him. I currently lean towards the latter.

Lawrence’s daughter tells the MIB where the maze is (some mumbo jumbo I didn’t understand at all), but also says “The maze isn’t meant for you.” To which, the MIB says, “Oh, I never thought of it that way, wise robot girl. I shall end my mission now.”

Of course the MIB marches on, thinking himself invincible as he drags Lawrence away to the entrance of this “maze.”


The Man in Black and Lawrence on their way to the start of the maze.


Meanwhile, back at headquarters, everyone’s still concerned with the affects of the update and what happened with Dolores’s father last episode. Could it happen to other hosts? Is it something that is isolated to Abernathy, or could it be contagious? And is someone purposely sabotaging these robots?

Bernard Lowe, the man building these robots, tells anyone who will listen there’s nothing to be concerned with. Everyone, except Robert Ford (Anthony Hopkins). There conversations are far more frank and philosophical compared to the “everything’s fine” message Lowe has for everyone else.


Ford (Hopkins) and Lowe (Jeffrey Wright) discuss the difficulties with “playing god” at Westworld.

As various people work through the issues with the hosts, Narrative Director Lee Sizemore is yelling at the girl creating robots for the next new story line. Our initial impression of this creative masterpiece is that it involves a whole bunch of Indians.


One of those hosts that gives credence to the concerns about these issues with the robots being contagious is Maeve, the madam who runs the brothel within Westworld. She’s been having issues getting guests to join her in the bedroom, and a madam the guests aren’t interested in isn’t much of a madam at all. So the techs back in headquarters increase her aggression by ten percent (that won’t end poorly, I’m sure).


Maeve Malloy struggling with old memories in her brothel.

And she proves herself too aggressive with a female guest. But those careless techs who thought aggression was the problem missed the primary issue: a scene Maeve is recalling and struggling with. In the scene, she was a different character who had a daughter in a wooden house in the country. But there was some sort of horrible Indian attack involved that we only get glimpses of in each scene we have with Maeve.

The discussion with Maeve amongst the higher ups at Westworld is whether Maeve needs to join the other decommissioned robots in that creepy room. But while they’re trying to fix her, the full memory comes to mind. We see all the images of Indians trying to scalp her, but the one trying to is shot, allowing Maeve to take her daughter into the house. But it’s in there that the man in black shows up, appearing in another story line he has no business being in. He approaches Maeve, but we don’t see what he does to her. Rape, murder, scalping, all three? I imagine it’s something horrible and Maeve wakes up on the surgery table an absolute mess.

Something about that memory causes Maeve to grab her stomach each time. And she does it on the operating table before grabbing a scalpel. One surgeon is pissed at the other for not putting her in sleep mode. But the other guy insists that he did. Maeve gets away, but is horrified at the images of all the robots bodies in headquarters. They look like they’ve been massacred as she falls to her knees before being neutralized by the recovering surgeons.


Maeve and her daughter from a previous story line in Westworld.

Now who started Maeve down this road to that horrible memory and consistent malfunctions? Look no further than the oldest and most loyal host in the park.


The fallout from her conversation with her father continue for the park’s oldest host. She does her usual routine of heading into town and saddling up her horse. But she struggles with image of all these hosts laying dead in the streets from the shootout she witnessed last episode. She also runs into Maeve and repeats the words her father told her last week (“These violent delights have violent ends.”). Those words sent Maeve on her spiral and seem to be the “contagious” part of the issues the park is having with their hosts.

Dolores’s scenes were shorter this week. But her impact was felt with each moment. Not only did she send Maeve on her spiral, she also met William (who might have found the only thing he likes about the park in her). And then there’s the gun she found buried outside her house. Now, whose gun was that buried out there in front of Dolores house? And why was it buried there?


Dolores finding the gun buried outside her house.

Robert Ford

Though the show did it subtly, we finally got a real insight into the mind of Dr. Robert Ford, the creator of Westworld this week. The first thing we see is the man (at least at the moment) has complete control over his world. He can control the snakes and people built for his world with simple hand motions. He also carries on a conversation with a robot boy whose dressed very similar to Dr. Ford himself. But he also sends the boy away with a simple command and the host obeys without question.


Dr. Robert Ford conversing with a boy host.

The second is the high expectations he has for his world. Lee Sizemore, the man behind the narrative stories at Westworld, had only criticized Ford up to this point. Sizemore thought Ford barely pays attention to the stories anymore.

But not only does Ford pay attention to what’s in those stories, he flat out rejects Sizemore’s latest narrative, only taking the shoes from one of the hosts with him the next time he walks into Westworld with Bernard Lowe. That’s when we see a church steeple standing by itself as Ford proclaims he’s ready to work on his next big idea.

Of Note

-I have to agree with Dr. Ford rejecting Sizemore’s idea. I mean, what about it was any different than anything else going on in the park right now?

-One of the real stars of the episode was Elsie Hughes, an employee in programming who first noticed that the issues with the hosts seemed to be contagious. Then, she had the quote of the night when studying Maeve and her recalling of memories: “If they remember everything we’ve done to them, we’re fucked.”


Elsie Hughes, played by Shannon Woodard, is the prophetic voice of Westworld.

-We have our first office romance as it was revealed that Lowe and Cullen have been shacking up for awhile now. But apparently, they usually don’t talk much afterwards.

-From his conversation with Maeve, it sounds like Teddy is not always the idealistic cowboy he presents himself to Dolores when they meet up in a story line. One of the guys who used Teddy as his host last week hinted as much.

-After Teddy was shot by the random guest at the brothel, I expected Maeve to shout “Oh My God, You Killed Teddy!!!!” Then bartender would throw in for good measure a “You bastards!!!” The death count for Kenn…I mean Teddy is currently three in two episodes.

-So the man in black has been going to the park for thirty years. And the last major incident with rebel robots was 30 years ago.Are those two incidents connected?

-I also wondered last week if anybody noticed the free reign the MIT takes while walking through Westworld. As it turns out, they do. But he’s a guest, so he’s allowed free reign.


-What is Dr.Ford’s new creation going to involve? And did anybody else think that little boy Ford was talking to a host version of Dr. Ford as a kid?

-What do Teddy’s sinful adventures out in the wild look like?

-Was that gun Dolores found a part of a previous host she played? Or will it push her to pursue a new, more violent Dolores? And how far will William go in pursuing the whole dropped can story line that, as we found out this week, isn’t just for Teddy?

-Will Maeve join the decommissioned robot army? Or do the higher ups at Westworld dare put her back into the park?

-Will Ford’s complete control of the park be in jeopardy as more hosts pick up the urge to rebel?

-Just where the hell is the man in black heading and how is it all going to tie up to everything going in Westworld?

-And finally, is anybody purposely sabotaging the hosts at Westworld? And if so, who? See you next week.


Westworld Premiere Recap: The Original

Have you ever questioned the nature of your reality?

That’s the first question Dolores Abernathy, the oldest host in the sadistic adult amusement park known as Westworld, is asked by Bernard Lowe (Jeffrey Wright). As Lowe goes through a series of questions, we are introduced to the scenery of this fantasy world that is the setting for the new HBO drama that premiered last night.

As we learn later in the episode, that is a standard question all “hosts” (another name for the robots in this world) are asked when their behavior moves outside the programmed scripts. And I imagine many a hosts will be asked that question before the end of the debut season considering that the clear theme of the series premiere was all the various ways these hosts can possibly end up outside the script. But they aren’t able to kill “newcomers” (another name for humans), so everyone should be perfectly safe the rest of the season (wink wink).

So let’s try and sift through all the new characters and information thrown at us in the first ever hour of Westworld.

Take 1

While Dolores is being questioned by Lowe, we see her wake up, walk down the stairs, and greet her father in the morning. A man named Teddy is also on a train at the start of this day as guests talk about the various adventures they are looking to experience in the park. Teddy sees the local sheriff asking for help in apprehending Hector Escaton, a wanted criminal. He visits the local saloon and gets propositioned by a prostitute before eyeing Dolores, whose just rode into town.

Dolores and Teddy are hosts programmed to be together. Well, not exactly be together, but to always chase each other (kind of heartbreaking ain’t it). They throw every movie western and romantic movie cliche they can before approaching Dolores’s house, when thinks get dark and twisted.


Teddy (James Marsden) and Dolores (Evan Rachel Wood), the star crossed loves of Westworld.

First, Dolores parents are killed by a man whom then dumps milk on their dead bodies (more on him later). Teddy rides up and takes out the man and his partner. Then, a man in black (Ed Harris) approaches Dolores. None of this made sense until the Man in Black explained to us what’s going on: he’s a guest. And he’s a frequent guest, recognizing Dolores and later Teddy when the male host tries to kill him. Here, we learn that hosts cannot kill guests. Their shots will fail every time. And the guests have free reign over the hosts, as the man in black shows by killing Teddy and dragging Dolores to a barn to rape her.

But as the sun rises, Dolores wakes up in her bed in the same position as the day before, and Teddy is on that same train riding into town.

Take 2

As it turns out, everyday for these hosts starts the same way. They’ve been programmed with a series of scripted story lines and can only respond to those story lines. The robots are constructed and the park is monitored in a single lab where Lowe builds the hosts, Lee Sizemore writes their stories, and Teresa Cullen steps in when there are issues with the hosts. And I suspect Cullen will be staying busy throughout the first season.

Though next day in the park starts the same way as the previous, it takes a different direction as Teddy is cutoff by a group of guys before he can reach Dolores. And she’s greeted by the Man in Black, who informs her he won’t be spending anytime with him this evening.

In fact, neither story for Teddy or Dolores is particularly exciting this day. But a”newcomer” does take the offer of the sheriff to go find Hector. Unfortunately for the guests, the robot sheriff malfunctions when a fly lands on his cheek.

As it turns out, a recent update of the hosts is causing a glitch. And Mrs. Cullen is very concerned. But repairing the problem requires pulling about 200 hosts from the park, threatening to lessen the experience for guests (and we wouldn’t want those sin seeking freaks to be disappointed, now would we?). Cullen and Sizemore later discuss their issues with Lowe and Dr. Robert Ford (the guy who owns the place, played by Anthony Hopkins). I won’t recall their entire conversation here. But bottom line, be watching for a power struggle to develop between these four throughout the season.


Lee Sizemore (narrative control) and Theresa Cullen (Quality Assurance), discuss their issues with the power structure at Westworld.

The Photo

The end of the second day is when the fears of all the staff at Westworld begin to show signs of happening. First, Dolores’s father finds a photo of a girl in modern day New York City. He is so thrown off by it that the next morning, he starts fidgeting, unable to continue with the usual scene he has with Dolores every morning. Then, the man in black kidnaps a card dealer in the saloon. He tells the robot that he hopes to reach “a deeper level in the game” as he cuts off the robots scalp, finding a circular maze underneath.


The man in black (Ed Harris) right before he chopped off the scalp of a host, to seek a “deeper level.”

And lastly, the milk man comes back and starts shooting people randomly in town that are not a part of his script (so he wasn’t supposed to be at the Abernathy’s house the previous night). Security and quality control are forced to step in and follow through with the plan mentioned by Cullen earlier: to pull all updated hosts out of Westworld for inspection.

Take Three

All the pulled hosts means that Sizemore must do a slight rewrite. He moves Hector Escanton’s arrival in town a week earlier. And the criminal doesn’t ride alone. His entire gang helps him steal the safe in the saloon. And a female sharpshooter named Armistice (I only know that because I looked that up) takes out every host trying to stop Hector in an amazing display of marksmanship.

But just as Hector is about to give the town the big speech Sizemore had written, the guest who went to find Hector earlier shows up and shoots him in the neck.

Dolores, who was in town seeking medical help for her father, got caught in the crossfire with Teddy, who was shot and “killed.” But as Dolores is mourning the loss, the crew of Westworld shut things down and take the remaining updated hosts back to headquarters, where we finally get to see an important scene from the actor with the highest pedigree in the show.

Dr. Robert Ford

The biggest surprise for me about the premiere was how little Anthony Hopkins (Dr. Robert Ford, the creator of Westworld) was featured. Before this last scene, Dr. Ford had two short conversations with Bernard Lowe, revealing little about the man. Most of what we know came from the dialogue of the other higher ups at Westworld. But the issues with Peter Abernathy (Dolores’s father) were enough to get him personally involved.


Dr. Robert Ford (Anthony Hopkins) preparing to speak with host Peter Abernathy.

Ford handles the questioning of the only updated host having any major issues. What Ford discovers is that Dolores’s dad is trying to help his daughter, and he’s angry with all the violence she endures because of Ford and Lowe. Bernie (as Lowe is called by several of the staff at Westworld) informs us that “none of this is programmed”  as Peter Abernathy vows revenge (You mean you didn’t program the hosts with a desire to vow revenge against you for all the pain they must endure in Westworld? Thank you Captain Obvious).


Bernard Lowe (Jeffrey Wright) pondering the various issues hosts are having dealing with the most recent update.

Dolores’s father and the milk killer are taken out of commission, which means putting them in a room with a large number of hosts who’ve needed to be pulled from Westworld previously. Now, I’m sure that potential army of robots is nothing any human should be concerned about.

Dolores, on the other hand, answers every question she’s given as she’s supposed to and doesn’t seem to suspect a thing about her creation or her creators. Stubbs (the security guy played by the third Hemsworth brother) tells one of the scientists that Dolores is the oldest host in the park and that she’s always stays faithful to her story. She does reveal that her father whispered “These violent delights have violent builds.” Nobody, including myself, knows what that means yet. So we’ll just leave it at that for the future.


Dolores, while Stubbs gives her the usual questions.

Take 4

A new morning dawns and Teddy is alive, riding the same train he rides every morning. And Dolores wakes up in the same bed, walks down the same stairs, wears the same dress, and greets her father with the same greeting she says to him every day. Except, this time, it’s a different host playing the role. Dolores doesn’t notice as she looks off into the distance, killing a fly on her neck as the scene fades.

Of Note

-The show established in the premiere a very steady pattern for day to day operations. So at least in the early going, we’re going to know when something is wrong based on the changes in that routine.

-So hosts can be programmed to play different characters? This provided a really easy alibi for Ford and Lowe to dismiss Peter Abernathy’s ramblings despite all the alarm bells that should have been going off in their heads.

-I hope a reason is given for why insubordinate robots are not just destroyed. It may be the creator not wanting to destroy his creation, but it really seems like a BAD idea to have all these rebellious robots in one room.

-This week’s saloon playlist included “Black Hole Sun” and “Paint in Black.” I hope modern music played in the saloon style is a regular feature every week.


-Will Dolores stay in her ignorant slumber about her true existence?

-What is this “deeper level” the Man in Black is aiming for?

-Will Teddy and Dolores ever just get to be happy (Well that’s rhetorical. Of course they won’t)?

-Will frustration continue to grow amongst the creative team at Westworld with Dr. Ford? And are we going to learn any more about the park’s creation and its creator in the coming episodes?

-Can each show just include five minutes of Armistice shooting and hitting everything in sight?

I was really impressed with the premiere of Westworld and I’m really looking forward to following the rest of the season. Also, expect these recaps to evolve over the coming weeks as I am still working to establish a format for them. See you next week.