Artist: Into It. Over It.
Length: 12 Tracks, 41 minutes
Record Label: Triple Crown Records
I’ll be honest, I’ve been waiting a long time to jam this album. Earlier this week they announced that it was streaming on a couple sites, but I really wanted to wait until the album dropped to fully experience it. I’m going to be real with you… I’m so glad I waited.
For those of you who are not familiar with the band Into It. Over It. it is the solo project of Evan Thomas Weiss, and Standards is the 5th release for the project. I first found Into It. Over It. in 2011 when his album PROPER was released, and this project has been one of the main acts to usher in the emo rebirth of the mid 2000’s. When I say “emo” I don’t want you to picture bands like Hawthrone Heights or My Chemical Romance because Into it. Over It. is no where near as aggressive as said acts. Evan Thomas Weiss is more similar to the sounds of Dashboard Confessional and Death Cab for Cutie. I would consider Into It. Over It. to be a great blend of emo and indie rock, so think of Dashboard Confessional and Death Cab for Cutie getting into a car crash, and the resulting sound would be the birth of Into It. Over It. (Editor’s Note: 4LN does not condone violence against mainstream Emo/Indie rock bands.)
Standards starts with a brutally honest song, Open Casket, that ends in a wall of feedback that would leave most listeners pushing the next button, but for me, that was one of my favorite moments of the album. I’m a big fan of Noise Rock, and that feedback reminded me a lot of that genre, but it was Evan making it his own. This album seems to have a lot of Evan making things his own, because the amount of honestly is real and refreshing. The album reminds me of a slower version of We Cool? by Jeff Rosenstock because of all of the honestly and pure emotion behind every word.
The single for this album, “No EQ” is a much more upbeat and faster paced song, maybe even the most lively track on this album. This is a track about remaining true to yourself, where Evan goes into detail about how he feels out of place in todays times, and how his music taste and fashion never changes. It’s a song I think a lot of later 20something punks will be able to relate to. It may even be the realest track on the album…
The album really slows down around the 5th track, Your Lasting Image, which deals with the struggles of forgetting someone that you once loved, with the repeating line “I can’t remember your touch…” and the song goes into detail about wanting to remember someone for a way that they were. This is one of the saddest tracks on the album, which instantly means it’s my favorite.
Closer to the end of the album is the track Who You Are Does Not Equal Who You Were, and this track has a great distorted guitar sound but also extremely clear vocals. The music really builds up in this song to a major explosion of sound that will leave the listener banging their head along to, and this album is no where near a headbanger. That’s actually one of the great things about this album, Evan Thomas Weiss takes sounds from so many different genres and blends them into a truly unique sound. The vocals on this entire album are crystal clear, and this track is a great example of that. At no point will anyone have a hard time singing along to this album
I think the most special thing about Standards is that it’s not an album for just one fan base. For the most part, Evan’s target demographic is going to be late teens and early 20’s pop-punk/emo kids, but the special thing about this album is, I can see some indie-heads, soft rock, and maybe even some Noise Rock/Pop fans will really jam this album.
If you are a fan of Bayside, Death Cab for Cutie, Dashboard Confessional, or You Blew It! then you really need to jam this album. This is a great starting point for someone looking to get into the Emo Revival, and a great album to jam if you are feeling a little down, or just want to relax. Standards by Into It. Over It. is a great album for anyone looking to get into a new slower emotionally honest band.